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.:bootlab:.
bootlab e.v. gerichtstr 65 13347 berlin/germany bootlab at bootlab dot org mission --> events --> projects --> members --> 2008 --> 2007 --> 2006 --> 2005 --> 2004 --> 2003 --> 2002 --> 2001 --> 2000 --> >>43characters >> --> "north avenue club" --> gemeinsam utube gucken (test event) --> nerd-prostitution --> speaking books --> the oil of the 21st century --> screenings --> open source tools in design education --> radio bar --> radiobar --> amerikanische botschaft --> in absentia --> pirate cinema --> reboot.fm --> bar im radio --> attachment --> copy cultures --> bootlab raum 3 --> kino raum 3 --> real --> last tuesday --> This project has been funded with support from the European Commision. |
<-- back Pirate Cinema Bombay Sneak Preview Sunday, December 28 7 pm - 10 pm www.piratecinema.org José Benazeraf Kathryn Bigelow Guy Debord Paula Delsol Philippe Garrel Jean-Luc Godard Isidore Isou Ken Jacobs Joseph Marzano Aleksandr Medvedkin Jonas Mekas Artavazd Peleshian Nicholas Ray Satyajit Ray Jack Smith Agnes Varda Dziga Vertov Andy Wachowski Larry Wachowski Koji Wakamatsu Andy Warhol CAMP Rooftop 301 Alif Apartments 34A Chuim Village Khar West www.camputer.org -------------------------------------------------------------------------------- Pirate Cinema Not just a series of screenings, or a collection of pirated movies, but the question of making visible, and then temporarily obsolete, a specific social relation, mediated by copyrighted images, and a specific type of separation, or detachment, perfected by imaginary copyrights, that affects the art of cinema, the space of cinema, and the discourse of cinema. Unlike New Cinema, which is opposed to Old Cinema, Alternative Cinema, which is opposed to Mainstream Cinema, Political Cinema, which is opposed to Unpolitical Cinema, French Cinema, which is opposed to American Cinema, or Digital Cinema, which is opposed to nothing at all, Pirate Cinema is opposed to Proprietary Cinema. Pirate Cinema Bombay Not just a rooftop, even though that's not the least of it. Most obviously, a problem of transportation and translation. Pirate Cinema, unlike a pirated movie, does not travel easily, it cannot be exported, imported, airlifted, airdropped. It can't be booked, it won't be able to fill a space in the arts, or a certain vacuum in arthouse. In the best case, it will itself create a vacuum. Pirate Cinema can be translated, but not literally, and probably not by Pirate Cinema, and it can be copied, but not without a particular kind of pragmatism, or tactical ignorance, which itself would have to be copied, or translated. One can say: "The Beverly Hills of Bollywood", but the question is, then what? Pirate Cinema Bombay Sneak Preview Not just a sneak preview, or rather not a sneak preview at all, not in the sense that most of the images to be projected would reappear again. Still, it's a hint, and still, there's a story, a hint at a story, or history within cinema, which is sometimes even a history without cinema, and almost always a history slightly outside cinema, just enough to make retrospective impossible, and instead allow for preview. The story itself - how does one translate "punk" again, to hindi... ah, we forgot, one doesn't - begins in the west, and then goes east, and back in time. This screening, unlike some that will follow, is much more encyclopedia than pedagogy. Two hours of film, two lines of dialogue. -------------------------------------------------------------------------------- () >< pirate cinema bombay sundays from 7 to 10 www.piratecinema.org <-- back |