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.:bootlab:.
bootlab e.v. gerichtstr 65 13347 berlin/germany bootlab at bootlab dot org mission --> events --> projects --> members --> 2008 --> 2007 --> 2006 --> 2005 --> 2004 --> 2003 --> 2002 --> 2001 --> 2000 --> >>43characters >> --> "north avenue club" --> gemeinsam utube gucken (test event) --> nerd-prostitution --> speaking books --> the oil of the 21st century --> screenings --> open source tools in design education --> radio bar --> radiobar --> amerikanische botschaft --> in absentia --> pirate cinema --> reboot.fm --> bar im radio --> attachment --> copy cultures --> bootlab raum 3 --> kino raum 3 --> real --> last tuesday --> This project has been funded with support from the European Commision. |
<-- back -------------------------------------------------------------------------------- "The most important contemporary European film director" (Jean-Luc Godard, 1992) -------------------------------------------------------------------------------- Sunday, March 25, 9 pm Pirate Cinema Berlin Tucholskystr 6, 2nd floor Beginning (1967) 9 min, 129 MB www.imdb.com/title/tt0298462 We (1969) 23 min, 232 MB www.imdb.com/title/tt0298452 Inhabitants (1970) 9 min, 130 MB www.imdb.com/title/tt0298373 Seasons of the Year (1975) 28 min, 349 MB www.imdb.com/title/tt0298597 Our Century (1983) 50 min, 600 MB www.imdb.com/title/tt0298466 Life (1993) 7 min, 85 MB www.imdb.com/title/tt0108491 Free entry Cheap drinks Copies to go -------------------------------------------------------------------------------- Artavazd Achotovitch Peleshian Born in 1938 in Leninakan, Armenia. Lives and works in Moscow. Artavazd A. Peleshian studied cinema at the VGIK (Cinematic Institute of Moscow) in the 1960s. It was not until later in his career that his films were recognized abroad, thanks to French filmmaker Jean-Luc Godard who became his first and most ardent supporter. Today considered as one of the most important filmmakers of our time, he received the Scam Prize for Television for his whole work in 2000. Inventor of an experimental "un-editing" technique, Peleshian threw aside the conventional rules of cinematography with his own contrapuntal editing. "Confronted with two important shots, the carriers of meaning, I do not try to bring them together, nor to confront them, but rather to create a distance between them..." Through this contrapuntal editing process, Peleshian creates an original circular type of film radically renewing the art of cinema. Selected Bibliography Peleshian et le montage à distance, Université de Poitiers, 1998 Un language d'avant Babel, Conversation entre Artavazd Pelechian et Jean-Luc Godard, Le Monde, April 2, 1992 Arthur Pelechian, cinéaste d'icônes, Domonique Païni, Art Press, January 1992 Pelechian, le montage-mouvement, Jean-François Pigoullié, Cahiers du Cinéma, n°454, 1991 -------------------------------------------------------------------------------- Kopiert von on1.zkm.de/zkm/stories/storyReader$3221 - was der "Scam Prize for Television" ist, und warum Peleshian ausgerechnet den gewonnen hat, statt der Palmen, Löwen und Bären, die ihm zustünden, wissen wir allerdings auch nicht. -------------------------------------------------------------------------------- () >< pirate cinema berlin www.piratecinema.org <-- back |