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<-- back >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> Every two-and-a-half years, approximately, Pirate Cinema gets pirated itself - this Sunday by Istvan Kantor (see, among many other websites, http://en.wikipedia.org/wiki/Istvan_Kantor), who will bring his new film "Superspectre". We have attached some prose, at the very bottom, and invite all friends of neoist cinema to come to Tucholskystrasse by 7 pm. The "regular" Pirate Cinema program will begin immediately afterwards. >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> Sunday, May 13, 9 pm Pirate Cinema Berlin Tucholskystr 6, 2nd floor Finisterre Kieran Evans & Paul Kelly 2003, 59 min, 659 MB Free entry Cheap drinks Copies to go -------------------------------------------------------------------------------- In loser Fortsetzung unseres Themas von letzter Woche, also "Neuere Beiträge zum psychogeografischen Film", zeigen wir am Sonntag Saint Etiennes "Finisterre" (s. http://imdb.com/title/tt0390005/), "a film about London", so der Untertitel, vom Tempo her deutlich zurückgenommen im Vergleich zu den Moves von letztem Sonntag, bei böswilliger Betrachtung könnte man sogar Spuren von Lahmarschigkeit oder von Hippiekultur ausmachen, die sich aber bei gutwilliger Betrachtung als Teil genau jener halbdistanziert-halbentrückt-halbpsychedelischen Erzählperspektive zeigen, von der aus Saint Etienne schon immer operiert haben. Die jeweils andere Hälfte, und auch die ist im Film zu sehen, wäre die beobachtende Teilnahme an (ansonsten unterbelichteten oder nur als kulturell verstandenen) Neben-Strängen und Seiten- Wegen der britischen Sozialgeschichte, ein nachsichtig-optimistischer Umgang mit den Zeichenarsenalen von "Widerstand". "Finisterre" ist kein Dokumentarfilm, und "Finisterre" ist auch kein Musik-Video; "Finisterre" ist noch nicht mal, und das trotz aller Begeisterung für das Erheben relativ obskurer empirischer Daten, ein Greenaway-Film. Eher ein Vorschlag, wie sich ein Bild einer Stadt machen liesse, und mit welcher Geschwindigkeit und wohin ("art and commerce surrounded us... we headed east") man sich dort bewegen kann. - Der Film ist ziemlich kurz, weswegen ausreichend Zeit für einen Nachfilm bleibt. Nach dem "Best French Film Ever" von letzter Woche dachten wir an den "Best British Film Ever", ungefähr ab halb elf. -------------------------------------------------------------------------------- () >< pirate cinema berlin www.berlinerpolizei.de >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> Superspectre (Istvan Kantor), Pirate Cinema Berlin, Sunday, May 13, 7 pm "Real change in a society must first manifest as a change in the social relationships that people want and understand. Sudden, cataclysmic revolutions that bring down governments and societies never create real progressive change. So long as the people in the society have and expect the same social relationships, the post-revolutionary society will instantly reconfigure itself with exactly the same exploitive and reactionary structures the revolution toppled, and with the revolution as legitimation, the new hierarchy, derived from the revolutionary elite, will inevitably proceed to implement greater and greater heights of tyranny. The failed revolution, never tasting the poison of power, remains a poetic inspiration, its participants transcend the limitations of whatever moral and ideological limitations they may have, becoming symbols of human struggle. The failed revolution gives us the mythic structure by which we identify with progress and internalize revolutionary ideas. The failed revolution mobilizes a far more important force than state power, it becomes the image and identity of our internal revolution, and changes the way in which we conceive of ourselves and society, and thus, in creating this inspiration for self and mutual understanding, it motivates us to live revolutionary lives. 50 years ago, such a failed revolution took place in Hungary. As a young boy, Istvan Kantor witnessed this failed revolution, and this experience has shaped his artistic practice. In 2004, Istvan Kantor organized a Neoist festival in Berlin, where in a series of performances and presentations we carried out our own failed revolution. There is an archive of this period at http://neoism.trick.ca. During this time, Istvan began work on his new feature length video, Superspectre / Ubergespenst, which he has dedicated to the anniversary of the Hungarian Revolution of 1956." >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> <-- back |