.
.:bootlab:.
bootlab e.v. gerichtstr 65 13347 berlin/germany bootlab at bootlab dot org mission --> events --> projects --> members --> 2008 --> 2007 --> 2006 --> 2005 --> 2004 --> 2003 --> 2002 --> 2001 --> 2000 --> >>43characters >> --> "north avenue club" --> gemeinsam utube gucken (test event) --> nerd-prostitution --> speaking books --> the oil of the 21st century --> screenings --> open source tools in design education --> radio bar --> radiobar --> amerikanische botschaft --> in absentia --> pirate cinema --> reboot.fm --> bar im radio --> attachment --> copy cultures --> bootlab raum 3 --> kino raum 3 --> real --> last tuesday --> This project has been funded with support from the European Commision. |
<-- back Easily the most memorable two hours of cinema ever shot in Kreuzberg (*), Andrzej Zulawski's "Possession" follows the disintegrating marriage of Anna (Isabelle Adjani) and Mark (Sam Neill) "like a fast-forwarded Ingmar Bergman film on bad acid" (rogerebert.com) through the subway stations and side streets of SO36 in 1980, along the Antifascist Protection Wall -- which at the time, conveniently, also kept backpackers, party tourists and real estate developers at bay -- all the way to Sebastianstraße 87, where a bloodbath begins to unfold that even for its survivors would remain a life-changing event: Zulawski's film was banned for 15 years in the UK (and never released in Germany until 2009), Isabelle Adjani won the Best Actress award in Cannes for her performance, and the octopus she has sex with towards the end of the film made such a splash that the guy who designed it would one year later score the job to create E.T. Anna's and Mark's rapidly deteriorating existence -- where to draw the line between household accidents and domestic violence? how to tell the difference between an abbatoir and just a messy apartment? and where exactly does public indecency end and dangerous interference with road traffic begin? -- provides for a series of highly iconic scenes of picture-perfect West-Berlin desolation that make for an exceptionally authentic and period-accurate Heimatfilm. Yet seen from today's point of view, the inner and outer void that the English- speaking, single-income, one-child and upwardly mobile (even if only in the last scene) couple inhabits, and the way their personal disaster remains strangely detached from the ruin of the city, seems to foreshadow the even more depressing reality of Kreuzberg loft life in the 2010s. If we had to remake the film today, we'd set it 100 meters further north, Dresdner Ecke Waldemar. (*) and occasionally beyond -- for a comprehensive photo tour and map, see www.spectacularoptical.ca/2014/02/the-psychotronic-tourist-possession-1981/ -------------------------------------------------------------------------------- possession andrzej zulawski 1981 123 min 4.69 gb sunday july 26 9 pm prⅳate cinema berlin saal 2 kreuzberg u kottbusser tor 12 seats, rsvp first come first serve location in separate mail trailers: www.piratecinema.org/trailers/#20150726-01 www.piratecinema.org/trailers/#20150726-02 -------------------------------------------------------------------------------- () >< prⅳate cinema berlin www.piratecinema.org <-- back |