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.:bootlab:.
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<-- back In a city increasingly confused by immigration, tourism, and the many paths and pitfalls that lie in between (1), one has to make things a bit more complicated and remind oneself that there are legitimate forms of arrival that don't have anything to do with any of this. Here is the case of a traveler who has vowed to never depart, but at the same time comes without the slightest intention to stay. She even makes a friend, who will help her to disintegrate from society. It's a drinking film, queer cinema avant la lettre, another tale from the Westberlin Heimatfront (2), staged with a very Fassbinder sense for kitsch and drama that hardly -- the opening shots of Tegel at its originally intended passenger capacity may be the only exception -- allows for nostalgia. It's 1979, and even though more cinematic evidence of that era exists, not many have captured it with the cold compassion of Ulrike Ottinger. She's also gotten the tempo right, what her film proposes is a pretty slow mode of navigating Berlin. The guy who made Run Lola Run should have taken a look at this and given up. (1) https://youtube.com/results?search_query=kottbusser+tor (just for starters) (2) https://piratecinema.org/screenings/20150726 -------------------------------------------------------------------------------- pirate cinema berlin u kottbusser tor sunday may 8, 8:30 pm bildnis einer trinkerin / aller jamais retour ulrike ottinger, 1979, 109 min, english subs https://0xdb.org/0078861 12 seats, rsvp first come first serve location in separate mail trailers: https://piratecinema.org/trailers/#20160508-01 https://piratecinema.org/trailers/#20160508-02 -------------------------------------------------------------------------------- () >< pirate cinema berlin www.piratecinema.org <-- back |